000			nam a22 7a 4500
999			_c18280 _d18280
020			_a9781107179721
040			_cCSHL
082			_a346.41 _bCOO 2018
100			_aCooper, Elena
245			_aArt and Modern Copyright _bThe Contested Image
260			_aUK _bCambridge _c2018
300			_aXIX, 275 _bIndex
500			_aArt, copyright and 'authors', 1: 1850-62 Art, copyright and 'authors', 2: 1862-11 Art, copyright and collectors: the wrongs that artists commit Art, copyright and the face: a nineteenth-century publicity right Art, copyright and the public interest: galleries, printsellers and 'pirates' Drawing conclusions: images of art and images of copyright
520			_a"This book is the first in-depth and longitudinal study of the history of copyright protecting the visual arts. Exploring legal developments during an important period in the making of the modern law, the mid-nineteenth to early twentieth centuries, in relation to four themes - the protection of copyright 'authors' (painters, photographers and engravers), art collectors, sitters and the public interest - it uncovers a number of long-forgotten narratives of copyright history, including views of copyright that differ from how we think today. As well as considering the distinct nature of the contribution of copyright to the history of the cultural domain accounted for by scholars of art history and the sociology of art, this book examines the value to lawyers and policy-makers today of copyright history as a destabilising influence: in taking us to ways of thinking that differ from our own, history can sharpen the critical lens through which we view copyright debates today"-- Provided by publisher
650		0	_aCopyright Art Great Britain
650		0	_a Copyright Art
650		0	_aLAW Administrative Law & Regulatory Practice
650		0	_aLAW Intellectual Property General
942			_cRWI